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IN THE PREVIOUS installment of this "Trimming From the Ground Up" series I wrote about improving the ground handling during takeoff and improving the controllability of the model in the critical seconds after liftoff. Right-thrust and downthrust adjustments figured prominently.

     In this installment I will approach the largest subject: directional controllability. I saved the best for last!

     In the original list of airplane personality problems presented in Part 1, the first two items were devoted to directional control problems. As with the pitch discussion we started with two months ago, there is a balance of trim forces in roll as well as in yaw. Let's address the roll forces.

Roll-Control Balancing Act: There are fewer actors in this balancing act than in pitch. There is the wingtip-to-wingtip weight balance. If the airplane is heavy on one side, it will tend to roll that way when in level flight. Because the source of this force is gravity, it does not change with airspeed. The other players on the see-saw are the lift of the left and right wing panels. (See the Roll See-Saw diagram.)

Click on photo to view large image with caption

     The solution to keeping the see-saw balanced at all airspeeds is to have the weight of the aircraft balanced from side to side and to make sure both wings gain and lose lift in exactly the same way as airspeed changes; that actually takes a little effort. Following are some possible causes of airspeed-dependent lift imbalance.

1) Aileron hinge-line gaps. If air can go through the aileron hinge lines, it will. That represents a loss of lift, and the leakage is an often unpredictable function of airspeed, angle of attack, "G" loading, and aileron-control deflection or trim. That means the leakage is seldom balanced from side to side. The leakage often gets worse at high angles of attack, such as in a climb. The airplane will turn to that side.

2) Imperfect airfoils. Tiny differences in airfoil shape from side to side (especially the rounding of the LEs) can require that the ailerons be trimmed to counteract. The aileron deflection and airfoil shape will have different airspeed characteristics, so the trim will be upset as the airspeed changes.

3) Wing warps, even subtle ones, will require the ailerons to be trimmed to counteract, and these two also vary with airspeed. The warp usually maintains its influence at very low airspeeds better than the aileron deflection.

4) If the ailerons are trimmed to one side to counteract a problem caused by the rudder trim not being centered (or a crooked fin!), the balance between these control surfaces will change with airspeed. We call this condition an aileron vs. rudder cross-trim.

    Let's cover cross-trim. We typically trim the ailerons to make the model fly straight at cruise speed. One of the hallmarks of a stable aircraft is that the application of rudder control will yaw and roll the airplane, in the same direction.

    If the rudder trim is slightly off one way, the ailerons will have to be trimmed the other way to make the model fly in a straight line. We usually do this trimming at cruise speed. The balance gets upset at low airspeed (such as in a climb or glide). The rudder normally predominates at low airspeed.
 

Back Into the Workshop! There are a few things we need to do before we leave the workshop to make life easier at the field. As we did in the section on pitch, we will fiddle around in the shop for a bit. However, almost all of this could be done at the field if you don't mind wasting daylight on a flying afternoon.

     Let's cover side-to-side balancing. First let's balance those wings. It is surprising how far off-balance many airplanes are. The muffler alone can do that; many are close to a half pound in weight and maybe 4 or so inches from the center of the airplane. If there are one or two heavier sheets of wood in one wing panel than in the other, the resulting imbalance can be severe.

     When that happens, you have a difference in the required lift from one wing to the other. At high speed this imbalance can easily be counteracted with a tiny bit of aileron trim. That's usually how we set the transmitter trims in our airplanes: in cruise-speed level flight.

     For some of us, cruise speed is at full throttle. No problem; I like to go fast too! At landing speed the imbalanced wing weight doesn't change, but the aileron and rudder effectiveness do, so the model starts to wander off to the heavy wing.

     That's the why of it; now for the how. I like to suspend the entire airplane from the crankshaft and from one of the rudder hinges. (See the lateral balance photo.) It is important to balance the entire airplane—not just the wing—because of the influence of things such as the muffler or engine hanging out one side.
 

 

Click on photo to view large image with caption

     The way I do it is to tie a string to the bare crankshaft and tie it to a nail in one of the rafters above a clear area on the floor. Then I run a piece of string or thin wire under a rudder hinge, approximately halfway up the rudder, and lift the tail by the wire coming out of both sides.

     You can get the most sensitive measurement of side-to-side balance by picking the correct hinge. If you start at the top, a large imbalance will only cause the model to tilt a bit. As you move down the balance becomes more sensitive, and if you pick a hinge that is too low on the rudder, you won't be able to get the airplane to balance at all. It will just flop over one way or the other.

     Move up one hinge from there and balance the model by adding weight to the high wingtip until it balances properly. Then find a way to keep the weight from falling off, and you are finished.

     Everything from stick-on lead tire balancing weights to finishing nails stuck in the end of the tip-block has been used. If you feel like patching the covering job on the wing, feel free to put the weight inside the wing. It looks better!

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